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Showing posts with label 1940. Show all posts
Showing posts with label 1940. Show all posts

May 31, 2020

Rodgers & Hart - Smash Song Hits by Rodgers & Hart (1940)

Smash Song Hits by Rodgers & Hart by Rodgers & Hart


Fred Allen was a veteran of vaudeville before he hit Broadway and then radio.  One of the touring shows of which Allen was a part of featured the work of a young musical director who would also go onto big things on Broadway.  Richard Rogers's first successes came from his work with writing partner Lorenz Hart, writing musicals like A Connecticut Yankee, Babes in Arms, and Pal Joey.  In 1940, Rodgers & Hart released a compilation album Smash Song Hits by Rodgers & Hart: a best-of song cycle of medleys performed by an assortment of guest singers.

Here is the discography surrounding Rodgers & Hart's debut album:

Smash Song Hits by Rodgers & Hart

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Feb 20, 2017

Claude Debussy - Debussy Selected Works (Orchestra) (1940)

"La cathédrale engloutie" by Claude Debussy


Did you know Paul Dukas and Claude Debussy were good friends?  Claude Debussy's first "album" released in 1940 compiling a handful of Stokowski recordings from the previous decade.

Here is the discography surrounding Claude Debussy's debut album:

Fêtes (1927 single)
Prélude à l'après-midi d'un faune (1927 single)
Nuages (1929 single)
La cathédrale engloutie (1930 single)
Danses sacrée et profane (1931 single)
Claire de lune (1937 single)
Fêtes (1937 single)
Nuages (1937 single)
La Mer (1939 EP performed by the Boston Symphony Orchestra)
Sirènes (1939 single)
Debussy Selected Works (Orchestra)
Prélude à l'après-midi d'un faune (1940 single)

"Claire de Lune" by Claude Debussy


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Sep 10, 2013

Nat King Cole - The Chronological Classics: Nat King Cole 1936-1940 (1940)

"That 'Please Be Mineable' Feeling" by The King Cole Trio


The picnic scene in Citizen Kane features a New Orleans jazz band whose sultry love songs and "jungle" mood counterpoint the torrid relationship between Kane and Susan.  Orson recounted that the inspiration for that part of the script and the jazz band in particular was the King Cole Trio though he knew that Nat was too much of a class act to appear in the film in such a fashion and didn't bother to ask.

Cole was born in Montgomery and raised in Chicago and learned the piano from his mother, the church organist and wife to a Baptist minister.  Nathaniel Cole took professional lessons and took up different styles from jazz to gospel to western classical.  He formed a jazz band with his elder, bass-playing brother Eddie at sixteen and recorded a couple of songs as Eddie Cole's Solid Swingers.  This jazz band didn't really work out and had Nat playing with the national tour of Eubie Blake's Broadway Revue "Shuffle Along".  When the tour faltered, Cole was stranded in Long Beach where he would form his Trio by the age of 18.  With Oscar Moore on guitar and Wesley Prince on bass, the band featured an atypical tight lineup at the height of the Big Band era.  They played gigs at local bars and recorded over a hundred radio transcriptions.  Their radio debut was in 1938 for NBC's Blue Network followed by a spot on the same network's Swing Soiree that helped the King Cole Trio garner the roots of what would become national fame.

Where Nat's piano playing had been aggressive and energetic in his first band in order to make up for the lack of skills of his band mates, he was able to cool down and stretch and balance his skills thanks to the rapport between he and his two bandmates.  In particular, his connection with Oscar Moore was spellbinding and the two accented eachother's solos perfectly.  The music was usually accompanied by the two or three-part harmonies of the band members.  Occasionally, they'd feature a guest female vocalist or a guest vocal choir (where they were more of a listless backing band) or perhaps Nat would sing himself, such as on "Sweet Lorraine", but the band was at its best with their own harmonies and plenty of room to just riff.

Here is the discography surrounding Nat King Cole's debut recordings:

The Chronological Classics: Nat King Cole 1936-1940
The Complete Early Transcriptions of The King Cole Trio: 1938-1941

"Rib Town Shuffle" by The King Cole Trio


"Let's Get Happy Tonight" by The King Cole Trio


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Jun 25, 2011

Woody Guthrie - Woody Guthrie: Library of Congress Recordings (1940)

"So Long, It's Been Good to Know You" by Woody Guthrie


The connection from Bob Dylan to Woody Guthrie is straight forward. Bob Dylan says that the biggest reason for his move to New York was to meet his idol. Dylan would visit a sick Guthrie (from Huntington's Disease) at the Brooklyn State Hospital, learning songs and tricks. As a troubadour and political songwriter, Woody held a strong influence over the folk revival of the sixties.

Guthrie started playing music while in high school. While he didn't prove to be a strong student as he would drop out after four years, his teachers believed him a smart boy, and he was a voracious reader who would spend hours reading and teaching himself in the public library. Musically, he had no formal training and picked up most songs he would play by ear. He cut his teeth by busking in Oklahoma and Texas. With the seemingly apocalyptic Dust Bowl winds tearing apart the heart of the Southern Midwest, Guthrie moved to California some time in the 1930s. Many of his early songs ("Dust Bowl Refugee", Dust Pneumonia Blues", ...) dealt with the troubles he experienced at this time.

In California, Woody worked for a local radio station playing traditional folk songs. Of his time there, the folk singer says that the best thing he ever did there was join the Communist party. Officially, he actually never joined, but instead he was deemed a "fellow traveler": an outsider who agreed with the party platform but did not fall under party discipline. He grew part of Southern Californian Communist circles, played benefit concerts for the Party, and wrote an article for a Communist paper. His writings were not political. Instead, he wrote about his travels and his experiences. It just so happened he lived during political times (noted by Steve Earle).

Guthrie returned to Texas in 1940 after having a fallout with the radio station's political leanings. He didn't stay long and soon moved to New York at the invitation of actor Will Geer, a fellow Communist who he befriended during his time in SoCal. He began performing in folk circles as the "Oklahoma Cowboy" and caught the attention of folklorist Alan Lomax. Alan Lomax's 1940 field recordings were Guthrie's first (though they were never officially released until 1964). Alan focuses on chronicling Guthrie's traditional repertoire, a few of his political songs, and his dust bowl songs. In conversation, Woody also ruminates on his life growing up in Oklahoma, his freight train travels, and his Great Depression experiences. Although he was largely unheralded up to this point, he would quickly grow into the common man's voice within the next few years.

Here is the discography surrounding Woody Guthrie's debut recording sessions:

Woody Guthrie: Library of Congress Recordings

"Talking Dust Bowl Blues" by Woody Guthrie


Conversation Between Woody Guthrie and Alan Lomax on the Blues and Hard Times


If you have any ideas for where the tour should go next, please give a shout. I'm open to whatever as long as the artists are historically related in some way and go in an artist's chronological order.

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