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Showing posts with label 1990. Show all posts
Showing posts with label 1990. Show all posts

Sep 17, 2023

Afghan Whigs - Up In It (1990)

"Amphetamines and Coffee" by Afghan Whigs


Shellac the Bozak claimed Ultrasuede-002.  There was no -003.  Ultrasuede-001 belonged to a release we've visited before: Big Top Halloween by Afghan Whigs; appropriate, as the Whigs's John Curley created the Ultrasuede "label" and studio.  As such, we return to Afghan Whigs and their second album Up In It released in 1990 on Sub Pop Records.

The Afghan Whigs got an indie label and grunge producer and it led to a step in more focused musical direction.  They now had a sound and lyrical themes to match, an evolution of metal and punk that dwells in the seedy minds of addicts, deviants and abusers.  The band brings to life, not the internal psychoses and obsessions of each song's character, but the world those characters live in... or at least they try to.  When it's not working, sometimes you just have to plod through it with guitars on loud.

Here is the discography surrounding Afghan Whigs's second album:

Jugula (1989 demo)
I Am the Sticks (1989 single)
Up In It
Sister Brother (1990 single)
Retarded (1990 single)
Up In It (1990 album CD version)

"Sister Brother" by Afghan Whigs


Afghan Whigs Live at The Middle East Cafe


"Hey Cuz" by Afghan Whigs


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Jun 16, 2023

Lizard 99 - Black Fantastic (1990)

"A Hit on the Head" by Lizard 99


The Greenhornes's recorded their debut at Ultrasuede Studio in Cincinnati.  One of the earliest other debut albums I could find recorded there was Lizard 99's 1990 self-released album Black Fantastic.

The first track of Black Fantastic calls to mind The Feelies mixed with Steve Albini's Big Black project but after "Dance Dance Dance" concludes, it gives way to the less industrial and more metal and goth rock influences of the 80s.  Solid musicianship prevents Black Fantastic from becoming a chore to listen to even if the lyrics force an eye-roll at least once or twice per song.

Here is the discography for Lizard 99:

Black Fantastic

"She" (Live Studio Recording) by Lizard 99


"Nail" by Lizard 99


"Dance Dance Dance" by Lizard 99


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Feb 16, 2023

En Vogue - Born to Sing (1990)

"Mover" by En Vogue


Sybil is the cousin of En Vogue member Maxine Jones.  They released their debut album Born to Sing in 1990 on Atlantic Records.  The single "Hold On" is the band's thesis statement for mixing the history of girl groups into a modern sound, and the album is more fun and more engaging when it indulges its love of the past, humor and passion.

Here is the discography surrounding En Vogue's debut album:

Hold On (1990 single)
Born to Sing
Lies (1990 single)
You Don't Have to Worry (1990 single)
Don't Go (1991 single)
Strange (1991 single)
Remix to Sing (1991 remix EP)

"Hold On" by En Vogue (Live on It's Showtime at The Apollo)


"Lies" by En Vogue


"You Don't Have to Worry" by En Vogue


En Vogue TV Spot


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Aug 27, 2018

LIDJ Incorporated - Black Liberation (1990)

"Black Liberation" by LIDJ Incorporated


Sound Iration was a producers' project that did not last for long (as far as I can tell).  Before the project disappeared into the ether of the fast-changing world of reggae and dub roots music, they remixed an album by another dub group of the era: LIDJ Incorporated.  LIDJ Incorporated released their debut album Black Liberation in 1990.

Here is the discography surrounding LIDJ Incorporated's debut album:

Black Liberation (1989 single as Xylon)
Black Liberation
General Penitentiary (1990 single)
Line Up (1990 single)
Dub Liberation (1990 remix album Meets Sound Iration)
Black Consciousness (1991 single as RIDJ Xylon)
Rasta (1991 single as Enhancers)

"Line Up" by LIDJ Incorporated


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Jun 7, 2016

Digital Underground - Sex Packets (1990)

"Packet Man" by Digital Underground


One of the guest rappers on Kozmonautz was Saafir who had gotten his start as a dancer for Digital Underground.  Digital Underground, led creatively by Shock G, released their debut album Sex Packets in 1990 on Tommy Boy Records.

Here is the discography surrounding Digital Underground's debut album:

Underwater Rimes (1988 single)
Doowutchyalike (1989 single)
The Humpty Dance (1990 single)
Sex Packets
Packet Man (1990 single)
Freaks of the Industry (1990 single)

"The Humpty Dance" by Digital Underground


"Underwater Rimes" by Digital Underground


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Jan 18, 2016

Ani DiFranco - Ani DiFranco (1990)

"Both Hands" by Ani DiFranco


Noe Venable, for a time, opened for fellow 90s singer-songwriter Ani DiFranco.  Ani DiFranco released her debut album Ani DiFranco in 1990 on her own label Righteous Babe Records.

Here is the discography surrounding Ani DiFranco's debut album:

Demo (1989 demo)
Ani DiFranco

"Talk to Me Now" by Ani DiFranco


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Jan 30, 2014

Blues Traveler - Blues Traveler (1990)

"Gotta Get Mean" by Blues Traveler


The H.O.R.D.E. (or Horizons of Rock Developing Everywhere) music festival toured stadiums across the United States every summer from 1992 to 1998.  The festival gave an opportunity for less popular bands to reach a wider audience and play in the biggest venues (with one of those acts being G. Love & Special Sauce).  It is also said to have helped dawn the second generation of great Jam Rock highlighted by such acts as Widespread Panic, Dave Matthews Band, and Phish.  The whole festival and jam movement, however, was headed by Blues Traveler.

Blues Traveler formed in a garage in Princeton, New Jersey in the mid-eighties.  By the end of high school, they solidified into a solid four-piece:  John Popper (lead singer, harmonica), Brendan Hill (drummer), Chan Kinchla (guitar), and Bobby Sheehan (bass).  The four all moved to New York to study music but all eventually dropped out as their gig success grew.  By 1990, Blues Traveler were scouted and signed to A&M Records.  They released their debut Blues Traveler in May of that year and attained Gold status and college radio popularity.

Here is the discography surrounding Blues Traveler's debut album:

Blues Traveler

"But Anyway" by Blues Traveler


"Alone" by Blues Traveler


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Aug 3, 2013

Inspiral Carpets - Life (1990)

"Butterfly" by Inspiral Carpets


When I said Noel Gallagher was a guitar tech, it was an obfuscating way of calling him a roadie for the Madchester (see Blur's Leisure) band Inspiral Carpets.  Of course when the band formed around school friends Stephen Holt (vocals), Graham Lambert (guitars), and recruit Craig Gill (drums), Madchester was yet to be a music scene.  It took a while for the rest of the Carpets to come into form but the recruitment of Dave Swift on bass and Clint Boon on keyboards driving the band's formative garage psychedlia helped them garner local popularity and indie label interest.

Playtime Records were the first to court Inspiral Carpets with a record deal.  Early singles and EPs caught regular radio play and the attention of music journals, zines, and disc jockey (and young band herald) John Peel.  Peel, as he was famous for doing, gave the young men a chance at greater exposure through his popular radio recording sessions.  A debut album was in the works, half written, when it was temporarily and unexpectedly derailed by the bust of Playtime's distributor Red Rhino Records and the departure of Holt and Swift from the band.  The Carpets took control of their own fate by setting up their own record label Cow Records to release the last two records with this early lineup:  the Trainsurfing EP and the demo cassette album Dung 4.  They would follow that up within the year with their 1990 debut album Life.

Here is the discography surrounding Inspiral Carpets's debut album:

Horse (1982 single by Doctor Filth)
Prayer (1984 single by Lavolta Lakota)
Nightmare (1984 compilation song by Lavolta Lakota)
Fixed Link (1986 single by Too Much Texas)
Waiting for Ours (1986 demo)
Songs of Shallow Intensity (1986 demo)
Garage Full of Flowers (1987 flexi single)
Cow (1987 cassette demo)
Hurry On Down (1988 EP by Too Much Texas)
Planecrash (1988 EP)
Keep the Circle Around (1988 single)
Butterfly (1988 single)
The John Peel Show 1988 (1988 Peel Session)
Trainsurfing (1989 EP)
Two Cows (1989 compilation song)
Dung 4 (1989 demo)
Joe (1989 EP)
Move (1989 single)
Smart (1989 EP by Too Much Texas)
John Peel Session (1989 Peel Session)
The Peel Sessions (1989 Peel Session EP)
Cool as Fuck (1990 EP)
Find Out Why (1990 EP)
Commercial Rain (1990 single)
She Comes in the Fall (1990 single)
Life
Juvenilia (2006 compilation album by Too Much Texas)

"Greek Wedding Song" by Inspiral Carpets


Inspiral Carpets on Granada Reports with Bob Greaves


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Aug 28, 2012

Bloodthirsty Butchers - Bloodthirsty Butchers (1990)


Eastern Youth formed about the same time as fellow punk band Bloodthirsty Butchers.  Both released their debut albums on indie label B.S.P. Project.

Bloodthirsty Butchers formed out of the ashes of a punk metal band called L.S.D. that was active in Sapporo during the eighties.  The band released only two singles before breaking up but seems to have left its mark on Japanese Metal.  Bloodthirsty Butchers formed with Takeshi Imoriya on bass, Masahiro Komatsu on drums, and songwriter Hideki Yoshimura on lead guitar and vocals.  Their debut album Bloodthirsty Butchers released in 1990.

Here is the discography surrounding Bloodthirsty Butchers's debut album:

Destroy (1983 single as L.S.D.)
Jast Last (1986 single as L.S.D.)
1983-2005 Hate (2005 compilation as L.S.D.)
Cowboy (1989 compilation songs)
Bloodthirsty Butchers
Korekaradoushiyou? (1992 compilation songs)

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Sep 2, 2011

A Tribe Called Quest - People's Instinctive Travels and the Paths of Rhythm (1990)

"Can I Kick It?" by A Tribe Called Quest


"After Hours" by A Tribe Called Quest


Jungle Brothers and A Tribe Called Quest went to high school together. Both started rapping in the mid-eighties. They shared classes, they shared a manager (DJ Red Alert), and they shared a worldview informed by their participation in the Universal Zulu Nation. They saw themselves as a tight-knit family and carried this mentality into the formation of the Native Tongues. The Tribe is the third founding member of the collective to be covered on this blog.

The band introduces itself to the listeners after the first track of their debut album. Ali Shaheed Muhammad lays the foundation for the Tribe as "the sound provider" while Q-Tip (Kamaal Ibn John Fareed, formerly Jonathan Davis) fronts the Tribe as the "top of the pyramid". At the top, he acts as the group's creative, intellectual, and spiritual leader and works as the liaison between the Tribe and other mainstream or alternative hip hop acts. Ali and Q-Tip were the first of what was to become A Tribe Called Quest to perform together. The duo sought the addition of another MC, Phife Dawg (Malik Taylor), with whom they occasionally collaborated. The collaboration would become permanent only after they recruited a fourth member, rapper Jarobi White, a close friend of Phife's. In the song, Phife is introduced as Jarobi's "right hand man" while Jarobi (the speaker) introduces himself as "the last but not the least, the least but not the last).

The group held influence over the alternative hip hop movement in the late eighties but did not settle on a record deal until 1989. Despite numerous, rich offers from several big labels, they opted to sign a modest deal with independent rap label (at the time, anyway) Jive Records. Jive impressed the Tribe with their dedication to their artists' longevity and attention to grass roots fan bases. They released their first official single "Bonita Applebum" at the turn of the decade (though a promo single was released in 1989) and released their debut album People's Instinctive Travels and the Paths of Rhythm soon after in April. While De La Soul's debut and Jungle Brother's sophomore album were met with raucous critical and commercial success, A Tribe Called Quest's debut was slower out of the gates. The album's sales opened light but slowly gained momentum to eventually be certified gold. Critically, the reviews came out mixed. Critics felt the album was "undanceable" or commended Instinctive Travels's experimental tendencies while reserving judgement on whether or not the experiments worked or not. The trend is that most people didn't know what to make of the album.

If you listened to this album and the two previous albums on the Musical History Tour, you might assume that all it takes to release a Native Tongues album is jazz samples, non-traditional lyrical content, and an Afrocentric attitude. Although these are honest first reactions, to pigeonhole the albums in such a way is to limit each group's individuality that really allow them and their work to stand out. Ali's DJ work sounds honest and fun and embodies the group's experimental nature, a sonic ride where anything can happen just for the sake of trying it out. Coupling the DJ with the MC, Q-Tip's lyrics share the same quality but provide the rhythm with narrative. Q-Tip tells stories. There's no grandstanding or posturing. Instead, he speaks directly to the listener to teach and entertain.

Here is the discography surrounding A Tribe Called Quest's debut album:

Description of a Fool (1989 promo single)
Bonita Applebum (1990 single)
People's Instinctive Travels and the Paths of Rhythm
Can I Kick It? (1990 single)
I Left My Wallet in El Segundo (1990 single)

"I Lost My Wallet in El Segundo" by A Tribe Called Quest


If you have any ideas for where the tour should go next, please give a shout. I'm open to whatever as long as the artists are historically related in some way and go in an artist's chronological order.

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